Sunday, January 12, 2014

Judge orders Flea Market Renoir returned to Museum

ALEXANDRIA, Va. — A long-missing Renoir is headed back to the Baltimore Museum of Art, from which it had been stolen more than 60 years ago. A federal judge in U.S. District Court in Alexandria on Friday ordered that the 135-year-old "On the Shore of the Seine" be returned to the museum, rejecting a Northern Virginia woman's claim that she bought it for $7 in 2009 at a West Virginia flea market, didn't know it was stolen and deserved to keep it.

U.S. District Judge Leonie Brinkema's decision abruptly ended an intriguing art drama whose unlikely main character has been Martha Fuqua, 51, a Loudoun driving instructor. In the fall of 2012, Fuqua tried auctioning off her alleged flea market discovery under the anonymous name "Renoir Girl" until records surfaced showing the painting had been stolen in 1951 from the Baltimore museum. The revelation prompted the FBI to seize the Renoir from the auction house and ask the federal court to determine ownership.

The BMA argued that, regardless of whether Fuqua found the Renoir at a flea market, no one can have legal title to stolen artwork.

Brinkema agreed in her ruling, granting summary judgment in favor of the BMA. She said the museum had overwhelming evidence that the painting had been stolen in November 1951 and that Fuqua offered not a "scintilla" of proof to the contrary.

Brinkema's decision cancels a trial that had been scheduled for next week and wipes out what could have been a useful windfall for Fuqua, who in 2009 filed for bankruptcy, citing debts of more than $400,000.

Fuqua did not show up at the hearing Friday. Reached by phone for a reaction, Fuqua seemed confused. "Reaction to what?" she asked. "I don't even know what the judge's ruling was."

Told the judge had ruled against her, Fuqua said: "Darn." Then, she added: "Well, I guess I gotta wait for my lawyer to call me." Asked if she was disappointed, she said, "Of course."

Many of Fuqua's family acquaintances have cast doubt on her flea market story, telling The Washington Post that they remember seeing the Renoir in the 1980s and 1990s at the Fairfax County home of her mother, Marcia Fouquet, who attended art college in Baltimore at the time of the painting's theft in 1951. (The mother passed away in September at the age of 85.)

Her attorney, T. Wayne Biggs, who tried persuading the judge that the museum's evidence that the painting was stolen was not properly authenticated, declined to comment after the hearing.

Marla Diaz, the BMA's attorney, said that she was "delighted" by the judge's ruling and that the museum has plans to display the piece.




Surrealism

Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to "resolve the previously contradictory conditions of dream and reality." Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself.
Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact. Leader André Breton was explicit in his assertion that Surrealism was above all a revolutionary movement.
Surrealism developed out of the Dada activities during World War I and the most important center of the movement was Paris. From the 1920s onward, the movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory.
Max ErnstThe Elephant Celebes (1921), Tate, London



Sunday, January 5, 2014

Guggenheim Dali Liquid Desires

Birth of Liquid Desires (La Naissance des désirs liquides), 1931–32. Oil and collage on canvas, 37 7/8 × 44 1/4 inches (96.1 × 112.3 cm). The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice 76.2553.100 © 2013 Salvador Dalí, Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

By the time Salvador Dalí joined the Surrealist group in 1929, he had formulated his “paranoid-critical” approach to art, which consisted in conveying his deepest psychological conflicts to the viewer in the hopes of eliciting an empathetic response. He embodied this theoretical approach in a fastidiously detailed painting style. One of his hallucinatory obsessions was the legend of William Tell, which represented for him the archetypal theme of paternal assault.¹ The subject occurs frequently in his paintings from 1929, when he entered into a liaison with Gala Eluard, his future wife, against his father’s wishes. Dalí felt an acute sense of rejection during the early 1930s because of his father’s attitude toward him.

Here father, son, and perhaps mother seem to be fused in the grotesque dream-image of the hermaphroditic creature at center. William Tell’s apple is replaced by a loaf of bread, with attendant castration symbolism. (Elsewhere Dalí uses a lamb chop to suggest his father’s cannibalistic impulses.) Out of the bread arises a lugubrious cloud vision inspired by the imagery of Arnold Böcklin. In one of the recesses of this cloud is an enigmatic inscription in French: “Consigne: gâcher l’ardoise totale?”

Reference to the remote past seems to be made in the two forlorn figures shown in the distant left background, which may convey Dalí’s memory of the fond communion of father and child. The infinite expanse of landscape recalls Yves Tanguy’s work of the 1920s. The biomorphic structure dominating the composition suggests at once a violin, the weathered rock formations of Port Lligat on the eastern coast of Spain, the architecture of the Catalan visionary Antoni Gaudí, the sculpture of Jean Arp, a prehistoric monster, and an artist’s palette. The form has an antecedent in Dalí’s own work in the gigantic vision of his mother in The Enigma of Desire of 1929. The repressed, guilty desire of the central figure is indicated by its attitude of both protestation and arousal toward the forbidden flower-headed woman (presumably Gala). The shadow darkening the scene is cast by an object outside the picture and may represent the father’s threatening presence, or a more general prescience of doom, the advance of age, or the extinction of life.

Lucy Flint




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Wednesday, January 1, 2014

Downtown Los Angeles supports local artists

Over the past 20 years, Downtown Los Angeles has been transformed from a burned out ghetto in many cases, to a thriving upscale artists community with new apartments, lofts and artists studios. Quite a few buildings that used to be occupied by wayward pigeons and rodents, are now ultra clean modern tech type of dwellings and studios with for rent signs letting temporary or permanent resident seekers know they are available. In addition to artists who use paints and a canvas, the film and video industries are milling around the area using various properties as locations for tv and film/music video shoots. One example of a successful artist who is experiencing art sales via galleries and online is the Mixed Media artist Clara Berta who creates large size works for commercial and residential interiors.

Artists Website

Artists Blog

While there are many artists who create landscapes and portraits, the interesting thing about mixed media is that it scares many artists as they are not sure where to start. The medium allows the artist to express themselves in a free manner and hold nothing back. Clara is exactly that as she lets go and creates impressive works that are pure feeling and passion. Use the links above to visit her site and blog and remember to support your local artists! :)


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Tuesday, November 12, 2013

New Record Set at Art Auction Francis Bacon

A cameraman films Francis Bacon's 'Three Studies of Lucien Freud' on display at Christie's on October 14, 2013 in London, England. (Photo by Peter Macdiarmid/Getty Images) | Peter Macdiarmid via Getty Images.


NEW YORK (AP) — A 1969 painting by Francis Bacon set a world record for most expensive artwork ever sold at auction.

"Three Studies of Lucian Freud" was purchased for $142,405,000 at Christie's postwar and contemporary art sale on Tuesday night. The triptych depicts Bacon's artist friend.

The work sold after "6 minutes of fierce bidding in the room and on the phone," Christie's said in a statement. The price includes the buyer's premium. Christie's did not say who bought the painting.


Tuesday, September 10, 2013

Lost Van Gogh found

More than 120 years after Vincent van Gogh's death, a new painting by the Dutch master has come to light.
The Van Gogh Museum in Amsterdam, which holds the largest collection of the artist's work, announced Monday the discovery of the newly identified painting, a landscape titled "Sunset at Montmajour."
"A discovery of this magnitude has never before occurred in the history of the Van Gogh Museum," the museum's director, Axel Ruger, said in a statement.
Van Gogh is believed to have completed the relatively large painting in 1888, two years before his death and during "a period that is considered by many to be the culmination of his artistic achievement," Ruger said.
The picture depicts a landscape in the vicinity of Arles in the south of France, where van Gogh was working at that time, the museum said. Click image above for full story.

Wednesday, August 14, 2013

Tuesday, June 11, 2013

New Art

Original drawing enhanced with image software.
Click image above to see larger.




Thursday, December 6, 2012

Salvador Dali Drawing Portrait

This is a pen drawing of Salvador Dali, available as a mounted print or canvas print.

 

Saturday, November 10, 2012

OWN A STRETCHED CANVAS QUALITY PRINT OF THIS IMPRESSIVE HAND PAINTED ORIGINAL PORTRAIT OF THE MASTER SALVADOR DALI
CLICK IMAGE

Monday, October 15, 2012

Salvador Dali Museum Exhibit


"Bed and Two Bedside Tables Ferociously Attacking a Cello", it is one of 12 Salvador Dali works loaned for a temporary exhibit to the Salvador Dali Museum in St. Petersburg, Fla., from the National Collection of Modern Art in Spain. The works are on display at the Florida museum until March 31, 2013 in a show called "The Royal Inheritance: Dalì Works From the Spanish National Collection." The paintings, which span from 1918 to 1983, have never before been exhibited the United States.

For more Dali News and Events, GO HERE






Thursday, October 4, 2012

Salvador Dali's connection to Film "As Good as it Gets"

Salvador Dali's works and life have influenced everyone from Woody Allen to Lady Gaga, but one connection to film and media may not be as well known. James L Brooks is known for his work on The Simpsons film, Broadcast News, Taxi, Mary Tyler Moore show and many others. Brooks love of Dali becomes apparent in the Epiphany scene in The Simpsons as shown here, a creation that resembles the well known painting at the Museum of Modern Art (MOMA) titled: "Persistence of Memory" by Salvador Dali.
You can see the obvious reference when you compare the images.


Brooks is also known for the film "As Good As It Gets" with Jack Nicholson and Helen Hunt.
Look at this image of Jack Nicholson as he sits and works on his book as the character Melvin Udall, a misanthrope novelist in New York who resides not far from where Dali lived for 10 years in the
 1960's and 70's.

If you look at the portait on the wall of Udall's apartment, you see an image of Salvador Dali.

Another and very obvious Dali reference in the film takes place when Greg Kinnear's character Simon Bishop is inspired to start creating art again once he sees Helen Hunts character Carol Connely sitting on the edge of a tub about to bathe. Notice the position of the towell on her lap and the position she is seated in and then look at the image below that shows one of Dali's best known works which features a nude Gala, Dali's wife.



"My wife nude contemplating her own flesh becoming stairs,
three vertebrae of a column, sky and architecture"
by
Salvador Dali

If you would like to see other film or TV references to Dali, there is a page located
on the well known Dali site salvadordaliexperts.com

Email us any questions about Dali or owning a copy of the authorized
signed print above.

This blog is sponsored by http://artworkpodcast.com

Tuesday, September 25, 2012

Salvador Dali Libra Zodiac hand signed print 1968


The Scales

September 24 to October 23

Libra is the only inanimate sign of the zodiac, all the others representing either humans or animals. Many modern astrologers regard it as the most desirable of zodiacal types because it represents the zenith of the year, the high point of the seasons, when the harvest of all the hard work of the spring is reaped.
Hand signed by Dali in 1968

This is a 44 year old graphic in excellent condition!

26" x 30" on archival paper.

Lithograph from original gouache, printed in Paris France.

Examined by known Dali experts and deemed authentic.

*Ask about Museum Style Frame

*We ship worldwide via FEDEX fully insured to your door.

*Avaialable framed or unframed

*All works professionally packaged

CALL 888-888-3254

OR

310-533-1333 EXT 204 OR ASK FOR DAN




Friday, September 21, 2012

Tallahassee Community College Showing Salvador Dali

Tallahassee, Florida -September 20, 2012
You won't have to go to the Met or du Louvre to catch a glimpse of some world-class art.
For the next few months, Tallahassee Community College is showing the works of Salvador Dali at its library. It's part of the Dali on Tour Collection. The exhibit contains reproductions of some of Spanish surrealist most famous works such as Geopoliticus Child Watching.

"We are just very excited to have it. It's a first for the TCC library and we are hoping it's the beginning of a lot of fun and interesting cultural events for students," says Deborah Robinson with TCC.

The works are on display until November 15. There are about 30 works all together in the collection .


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