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Salvador Dali MOMA

Dalí was a New York City cultural fixture in the 1960s. When in town he resided with his wife Gala at the St. Regis Hotel, just a block away from MoMA, and was often seen dashing about from one fabulous appointment to another. Before arriving in New York in 1934, Dalí professed an uncanny familiarity with the city; this was the case as his knowledge of New York was from its numerous cinematic portrayals and not firsthand experience. Dalí sat for two Warhol Screen Tests, both made in 1966. The first (ST67) is often called Upside Down Dalí, as the 3.7-minute short was filmed with the camera upside down. Callie Angell notes he “gives a typically surreal performance” by staring imperiously and playing with a small, sequined evening bag. He even taps the bag against his cheek as if keeping rhythm with some offscreen music.

Salvador Dali Destino

Salvador Dali The Argus RARE 1960 hand colored print signed by Dali

THE ARGUS BY SALVADOR DALI

VERY RARE  

(Notice the detailed work in the lower portion)

20” x 30” on archival paper.

From the rare 1st edition.

(There is also a 2nd edition and a black and white edition)

Published in Paris France in 1960

This is a museum level work.

Subject: Greek Mythology

ARGOS (Argus) PANOPTES was a hundred-eyed giant who lived in the region of Argolis in the Peloponnese.

Once when Zeus was consorting with the Nymph Io, his wife Hera arrived on the scene. The god quickly transformed his lover into a white heifer, but the goddess was not deceived. She demanded the animal for a gift and set Argos Panoptes as its guard.

Zeus sent Hermes to surreptitiously rescue his lover. The god first tried to lull the giant to sleep with his music, but failing that, slew him with his sword. It was from this endeavour that he earned his familiar title Argeiphontes (literally "the slayer of Argos").

Hera rewarded Argos for his service by placing his hundred eyes on the tail of her sacred bird, the peacock.

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Salvador Dali and Liza Minelli

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http://www.imdb.com/news/ni14244895/

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