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Guggenheim Dali Liquid Desires

Birth of Liquid Desires (La Naissance des désirs liquides), 1931–32. Oil and collage on canvas, 37 7/8 × 44 1/4 inches (96.1 × 112.3 cm). The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice 76.2553.100 © 2013 Salvador Dalí, Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

By the time Salvador Dalí joined the Surrealist group in 1929, he had formulated his “paranoid-critical” approach to art, which consisted in conveying his deepest psychological conflicts to the viewer in the hopes of eliciting an empathetic response. He embodied this theoretical approach in a fastidiously detailed painting style. One of his hallucinatory obsessions was the legend of William Tell, which represented for him the archetypal theme of paternal assault.¹ The subject occurs frequently in his paintings from 1929, when he entered into a liaison with Gala Eluard, his future wife, against his father’s wishes. Dalí felt an acute sense of rejection during the early 1930s because of his father’s attitude toward him.

Here father, son, and perhaps mother seem to be fused in the grotesque dream-image of the hermaphroditic creature at center. William Tell’s apple is replaced by a loaf of bread, with attendant castration symbolism. (Elsewhere Dalí uses a lamb chop to suggest his father’s cannibalistic impulses.) Out of the bread arises a lugubrious cloud vision inspired by the imagery of Arnold Böcklin. In one of the recesses of this cloud is an enigmatic inscription in French: “Consigne: gâcher l’ardoise totale?”

Reference to the remote past seems to be made in the two forlorn figures shown in the distant left background, which may convey Dalí’s memory of the fond communion of father and child. The infinite expanse of landscape recalls Yves Tanguy’s work of the 1920s. The biomorphic structure dominating the composition suggests at once a violin, the weathered rock formations of Port Lligat on the eastern coast of Spain, the architecture of the Catalan visionary Antoni Gaudí, the sculpture of Jean Arp, a prehistoric monster, and an artist’s palette. The form has an antecedent in Dalí’s own work in the gigantic vision of his mother in The Enigma of Desire of 1929. The repressed, guilty desire of the central figure is indicated by its attitude of both protestation and arousal toward the forbidden flower-headed woman (presumably Gala). The shadow darkening the scene is cast by an object outside the picture and may represent the father’s threatening presence, or a more general prescience of doom, the advance of age, or the extinction of life.

Lucy Flint

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Downtown Los Angeles supports local artists

Over the past 20 years, Downtown Los Angeles has been transformed from a burned out ghetto in many cases, to a thriving upscale artists community with new apartments, lofts and artists studios. Quite a few buildings that used to be occupied by wayward pigeons and rodents, are now ultra clean modern tech type of dwellings and studios with for rent signs letting temporary or permanent resident seekers know they are available. In addition to artists who use paints and a canvas, the film and video industries are milling around the area using various properties as locations for tv and film/music video shoots. One example of a successful artist who is experiencing art sales via galleries and online is the Mixed Media artist Clara Berta who creates large size works for commercial and residential interiors.

Artists Website

Artists Blog

While there are many artists who create landscapes and portraits, the interesting thing about mixed media is that it scares many artists as they are not sure where to start. The medium allows the artist to express themselves in a free manner and hold nothing back. Clara is exactly that as she lets go and creates impressive works that are pure feeling and passion. Use the links above to visit her site and blog and remember to support your local artists! :)


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Salvador Dali Viet Nam prints

Angel of Mercy Covering a Calmer World

23" x 16" on V Piera Paper

*Hand signed by Salvador Dali in 1973 in front of witnesses.

*The publisher filmed an interview with the creator of the Dali Museum in Fla., Reynolds Morse.

*The cancelled printing plates are the property of the publisher.

*The bon à tirer prints or Artists Proofs can be seen at the Dali Museum when they are on display.

The Vietnam War was a Cold War-era military conflict that occurred in Vietnam,

Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975.

During the most publicized part of the Viet Nam War,

Salvador Dali was living in New York at the St. Regis Hotel and meeting with the

public on a regular basis.

The Viet Nam war protests and constant news stories shaped the culture of that day

and sparked unrest and chaos among the young people of the United States.

While most people might refer to the destructive nature of weapons,

Dali referred to the Aomic Bomb as "excited particles".

The extensive study of science as a youth gave Dali a unique perspective on things

having to do with energy or decay as a few examples.

The Angel in the image is similar to the iconic Angel we see

in many of Dali's better known graphics.

The Angel of Mercy is referred to in various religeons,

known for healing and compassion. So during a time of great conflict

and destruction, Dali created a series of works having to do with Peace in Viet Nam.

We have only one of these available.

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Salvador Dali Fantastic Voyage Film connection

The 3D remake of iconic 1966 sci-fi movie Fantastic Voyage is to be directed by The Night Of The Museum director Shawn Levy. The original movie was directed by Harry Kleiner, and was based on a story by Otto Klement and Jerome Bixby. It inspired an animated television series, a Salvador Dalí painting of the same name, as well as an Isaac Asimov novelisation.

Deadline.com reports that the new film will follow the same story as the original: a team of scientists shrink themselves and enter a colleague’s body in order to save him from a blood clot.

However, in the new version once the scientists enter the body the film will be almost exclusively CGI. Avatar director James Cameron is signed on to produce.
It's rumored that Hugh Jackman could be about to sign on to play the lead. He’s due to star in the Levy-directed Real Steel in October, and the pair are reportedly looking to work together on an "untitled action/adventure project".

The original "Fantastic Voyage" inspired Salvador Dali to create an interpretation

of the film as an original painting.

After seeing Raquel Welch in the film, it's no surprise Dali wanted to meet her.

The original Painting: "Fantastic Voyage"

             If you are an art lover or creative person, check out this podcast for artistic types.